In 1952, after a year on the run, disgraced Chicago Police Officer Elliot Caprice wakes up in a jailhouse in St. Louis. His friends from his hometown secure his release and he returns to find the family farm in foreclosure and the man who raised him dying in a flophouse. Desperate for money, he accepts a straight job as a process server and eventually crosses paths with a powerful family from Chicago’s North Shore. A captain of industry is dead, the key to his estate disappeared with the chauffeur, and soon Elliot is in up to his neck. The mixed-race son of Illinois farm country must return to the Windy City with the Chicago Police on his heels and the Syndicate at his throat. Good thing he’s had a lifetime of playing both sides to the middle


“Gardner’s hard-bitten crime drama is candid, unflinching, and full of gallows humor. As Elliot says, “You avoid surprises by being the surprise,” and Gardner’s hero is just that—a bright new entry in the genre, ready to take on the world in word and deed. Debts owed, lines drawn, claims made, Elliot settles up and finds a way to live the life he can’t outrun.”

ForeWord Reviews

“First-time novelist (and screenwriter) Gardner populates the action with a vast cast. You can see Danny Glover as the uncle about to lose the family farm back in Southville, Ill.—or, if the movie had been shot 40 years ago, acting the role of Caprice. Long on action…this is a solid enough entry in the ranks of African-American crime fiction.”

Publishers Weekly 

“The plot is clever. While providing a gripping story, A Negro and an Ofay by Danny Gardner also gave me more than a glance into the racial problems that were rife at that time. Have they improved? Like to think so, but I’m not so sure. This is a good read that also makes the reader re-evaluate political and racial times and decide just how far they have come from those days.”


“Fans of Walter Mosley and George Pelecanos are going to devour Danny Gardner’s brilliant new book. A Negro and an Ofay breathes exciting new life into noir fiction.”

Jonathan Maberry, New York Times best-selling author of Patient Zero and Dogs of War


“Elliot Caprice is a terrific character with his own Midwestern territory and Danny Gardner tells his stories with style and cunning.”

Peter Blauner, New York Times bestselling author of Proving Ground and co-Executive Producer of CBS’s Blue Bloods


“Danny Gardner’s Elliot Caprice is a complex mix of muscle and brain, of toughness and heart, of doing wrong and only sometimes getting it right. A Negro and an Ofay reads like a long lost Raymond Chandler, one that he wrote from the south side of Chicago.”

Lori Rader-Day, Mary Higgins Clark Award-winning author of Little Pretty Things
and The Black Hour


“Danny Gardner’s masterful debut engenders echoes of the greats. I had the impression I had somehow stumbled across a previously undiscovered work of Chester Himes, or Jim Thompson, or Walter Mosley―or all three magically rolled into one.”

David Corbett, prize-winning author of The Mercy of the Night


“A Negro and an Ofay is a smart, crisp, historically accurate, and unapologetically racial narrative that signals the arrival of a strong, necessary voice in crime fiction. Danny Gardner is a superb storyteller with a knack for dialogue and a fearless author who knows what he’s talking about. This is the best debut you’ll read in a long time.”

Gabino Iglesias, Author of Zero Saints

“Hard-boiled don’t get much harder than this. Danny Gardner hits all the right notes, but with enough swagger and voice to make it completely his own. Elliot Caprice is a fantastic character, stuck between worlds—black and white, good and bad—and I really hope to see more of him.” 

Rob W. Hart, Author of The Woman In Prague

“Immersive, poignant and utterly enthralling. Written from the middle of America’s great racial divide, it’s satirical, cool and irrevocably honest; imbued with an inherent nobility that rivals any modern day hero.”

Tom Avitabile, Author of The Eighth Day

“One of the best items Gardner has in his toolbox when blending his themes and story elements is his sense of humanity. We feel for his characters because he always has something heartfelt to say about them. Every person Caprice encounters evokes some sort of memory or emotion. There’s a deeply rooted thought about each moment that Gardner digs out. In fact, Gardner seems to rely more on emotional response than descriptions when setting up his scenes, and it works. It’s what draws readers in and keeps us turning the page.”

Scott Waldyn, Literary Orphans Journal

“This young author is not only the heir apparent to Chester Himes and Walter Mosley, but the subtle social commentary laced almost invisibly within the beautifully crafted saga of an African American police detective fighting the ramifications of a frame that derailed his career, along with routine racism in 1950s Chicago, shows the promise of a contemporary James Baldwin or Ralph Ellison.”

Will Viharo, Digital Media Ghost

“—it manages to be smart, historical, and about identity/racial issues while retaining all the entertainment value that pulpy thrillers bring to the table. This is a book with a carefully crafted plot that touches on a lot of issues that were as relevant six decades ago as they are now, but it’s also a hell of a fun read packed with jazz, fights, sex, and the kind of dialogue that makes readers remember the name on the cover.”

Out of the Gutter Review

“This is a stunning debut! A powerful combination of brilliant story-telling and a breathtaking grasp of dialog subtext that strongly reminds of Mamet. Danny Gardner is destined to become a big name in this writing game.”

Les Edgerton, Author of The Bitch, The Rapist, The Genuine, Imitation, Plastic Kidnapping

“There’s a naturalness and ease about this book despite a complex and dense plot. It flows effortlessly, and the dialogue has a wonderful cadence to it. I feel like if Gardner told me a tale on the spot, it’d be surprising, dramatic, and entertaining. To me, that’s a born storyteller, and it comes through loud and clear in this electrifying debut.”

Sarah M. Chen, Author of Cleaning Up Finn

“Elliot Caprice is a trouble magnet and that makes for a great character.”

Simon Wood, Author of The One That Got Away

“Plenty of hardboiled patter and a dense plot with a great sense of place and wonderful dialogue.”

Eric Beetner, Author of Rumrunners and Nine Toes in the Grave

“It finds a way to address issues of race and class without getting sidetracked, and, in fact, builds these issues seamlessly into the plot instead. What results is a totally unique detective in Elliot Caprice, who struggles with issues that feel both familiar and totally alien to the genre, not to mention the reader.

Michael Pool, Crime Syndicate Magazine



I promise, no spam or cheesy ploys. Only the where, what, when, and how, delivered right to your email inbox.